How Much Do Music and Movie Piracy Really Hurt the U.S. Economy?
Kal Raustiala and Chris Sprigman of Freakonomics discuss the claims that piracy leads to $250 billion a year in loses and 750,000 American jobs lost:
The good news is that the numbers are wrong — as this post by the Cato Institute’s Julian Sanchez explains. In 2010, the Government Accountability Office released a report noting that these figures “cannot be substantiated or traced back to an underlying data source or methodology,” which is polite government-speak for “these figures were made up out of thin air.”
And:
So what’s the real number? At this point, we simply don’t know. And this leads us to a second problem: one which is not so much about data, as about actual economic effects. There are certainly a lot of people who download music and movies without paying. It’s clear that, at least in some cases, piracy substitutes for a legitimate transaction — for example, a person who would have bought the DVD of the new Kate Beckinsale vampire film (who is that, actually?) but instead downloads it for free on Bit Torrent. In other cases, the person pirating the movie or song would never have bought it. This is especially true if the consumer lives in a relatively poor country, like China, and is simply unable to afford to pay for the films and music he downloads.
Do we count this latter category of downloads as “lost sales”? Not if we’re honest.
Hitler reacts to SOPA.
Tweets from kids trying to use Wikipedia for their homework—and failing. SOPA!
I am not a hacker.
But in my recent research, I’ve talked with a lot of them. Not just the “lololol we r legion” kind either. The real deal. Guys who now work for McAfee or run their own security contracting firms. When I asked them about whether further government restrictions on internet behavior, like SOPA and PROTECT IP, would limit piracy, their response was unanimous:
“Fucking LOL.”
Clever pirates will always find a way. Clamping down on the entire web will only punish those with good intentions and push those who wish to download terabytes of copyrighted content further underground.
The following is a quote from Phil Zimmerman, creator of PGP, one of the most important pieces of technology of the 20th century. It’s from an interview that will appear in my upcoming book:
I think that there’s something grotesque about having the internet turned upside down just for the entertainment industry. When you look at how much economic activity is driven by the internet and compare it to that of the entertainment industry—the entertainment industry is not that big! It’s a small part of it.
For the entertainment industry to have this control over the internet…it’s like if auto industry was assembling cars at the command of companies who manufacture FM radios. Imagine if the people who make FM radios had absolute control over where highways can be built, and dictate crashworthiness. It’s perverse. This is an example of powerful lobbies purchasing legislation.
The problem here isn’t the copyright issue. One could go on forever about how this will smother entrepreneurship in the tech industry because big companies like Google, let alone web startups, won’t be able to afford to hire moderators to continuously monitor their user content, let alone a team of lawyers to fight copyright claims. Recent statistics show that 48 hours of video content are uploaded to YouTube alone every minute. Can you imagine what it would cost to monitor that volume? This blunderbuss approach puts the U.S. government in a position of editorial control that we previously would have criticized China for allowing, only to support broken business models and expand the perpetual game of whac-a-mole that is online piracy.
The potential for collateral damage of free speech is real and opens up the possibility of bad actors only needing to accuse a site of some minor copyright infringement in order to silence free expression that might be happening there.Fucking LOL, right?
(via wilwheaton)

![newsweek:
Tweets from kids trying to use Wikipedia for their homework—and failing. SOPA!
[h/t gangster curator Katie Notopoulos]](http://24.media.tumblr.com/tumblr_lxzcrtxnzC1qzs5cqo1_1280.png)
